![]() ![]() “That’s what I like about this whole group-how open they are about musical styles, about cultures. They don’t put up any barriers,” says Victor Coelho, a CFA professor of music, director of the Center for Early Music Studies, and chair of the department of historical performance. ![]() With the arrival in September of Erik Broess, a visiting assistant professor of musicology, they reached what feels like a quorum. They all play guitar professionally, and the instrument is woven into their research. PhD students Nathaniel Braddock (CFA’25), Lance Morrison (CFA’25), Kumera Zekarias (CFA’26), and Brian Barone (CFA’24) arrived separately during the last few years. The guitar has raised its profile at the College of Fine Arts School of Music lately, not via performance or theory classes, but thanks to five recent arrivals in the musicology and ethnomusicology department. Call it a six-string harmonic convergence.
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